'Lovecraft Country' Premiere: The Monster Mash

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'Lovecraft Country' Premiere: The Monster Mash
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Our hero’s adventure kicks off with a bang — and an intoxicating, head-spinning blend of genres, sights, and sounds. Read sepinwall's recap of the 'Lovecraft Country’ premiere

Suddenly, our hero, Atticus “Tic” Freeman wakes up from an absurd nightmare into a far more ubiquitous one: He is a black man in mid-Fifties America, sitting in the back of a segregated bus headed north from Kentucky.It’s all right there in that wonderfully wild opening.will blur boundaries between eras, genres, and subjects. Tic’s very real service in Korea is transformed into a vision from his beloved pulps. But unlike the tales from his favorite — and extremely racist — author H.P.

Tic’s stay in the city with George, Aunt Hippolyta and their young daughter Diana is a relatively peaceful, even fun one. There’s time for him to open the fire hydrant at a block party and enjoy watching Leti and her sister Ruby inject a bit of extra soul into their live performance of Jerry Lee Lewis’ “Whole Lotta Shakin’ Goin’ On.” He gets an unglamorous picture of Montrose’s life when he visits his father’s favorite watering hole to ask after him.

The beginning of the trip is one of the pilot’s masterstrokes. Visually, it’s constructed like a traditional montage meant to compress the relatively uneventful part of a long odyssey into a few lively minutes. Ordinarily, though, such a sequence would be accompanied by a song, perhaps something upbeat and period-appropriate.

It’s the much slower chase which gives the episode its title that’s actually the hour’s most terrifying sequence — yes, even more than the shoggoth attack that follows it. Lost on a backwoods highway en route to their destination, the group has pulled over to study the map when an infamously racist sheriff pulls up and points out that they’re in a sundown county, where their very presence after sunset would make them subject to arrest — and, almost certainly, something far worse.

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