'Maleficent: Mistress Of Evil', in theaters October 18, breaks the queen movie curse.
Across the river, the diamond-clad Queen Ingrith orchestrates the growth of her empire with ruthless precision. Ingrith is a Stepford Queen, polite and coiffed. She uses her feminine appearance to mask a sinister, more traditionally masculine ambition. All you need to know about Ingrith is this: A mannequin in her lavish closet is the trigger for a trap door that leads to the war room.
Unlike Ingrith, Maleficent has no need for disguises. Up in her cliff-side cave, Maleficent is far removed from the city and the Moors. She’s like a real-life boogeyman: Everyone knows her green-colored magic can knock puny civilizations to the ground. Her power stems from being unmatched — the only one of her kind — but it also makes her lonely, a condition that worsens after Aurora’s big news.
This is also one of many recent works of pop culture that addresses the West’s uptick in xenophobia through fantasy tropes. Like
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