Yes, another NormalPeople bangs appreciation post
Sandra Kelly,’s hair designer. Based in Dublin, she is a cheery presence in my Zoom window, her side-swept fringe tinted blue. We are both due for a trim. “I think it might be the timing, to tell you the truth,” she says of the particularly captive audience, eager to follow in Marianne’s footsteps. “I think a lot of girls and women can relate to her.”
As keen observers have noticed, the character’s subtle hair shifts demarcate time and mood in the series, beginning with the schoolgirl arched fringe. The goal was to make her look “cute and odd at the same time,” says Kelly, explaining how the shorter cut opens up her face and emphasizes her vulnerability. At Trinity College, Marianne evolves into her fashion-aware self, experimenting with a longer block fringe—an effect cheated during filming with hidden pieces of hair.
And it’s a pot-boiler. Kelly laughs when she says the hair helps. “Even though it is like a curtain, it draws people to the eyes,” she says. “That’s quite a seductive thing as well.” I ask about matted-down bangs in the sex scenes, which—like all the rest—seem
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