The new Scream is the best entry in the franchise since the original, says nikonamerica. Here's her review of the latest in the meta slasher series:
)—knows a thing or two about how to play the reboot field. Screenwriters James Vanderbilt and Guy Busick come in right off the bat and do some new things that keep the classic staples of the franchise fresh: We get to keep our opening girl . Ghostface makes a scene, but he doesn’t stake his claim—she doesn’t die. It’s a smart move, considering we know that opening scene by heart at this point. It lets the audience know that we are not entirely playing by the rules we’ve always known.
Similarly, they give us an unreliable narrator of sorts, our leading lady Sam . The film follows her from Modesto, California back to our good old Woodsboro when her estranged sister is attacked by Ghostface 10 years after the last time he struck the town. Early on, the audience gets clued into the fact that she is taking antipsychotic medication—another choice by the screenwriters to do something wholly different.
Big questions are raised and left in the air to hang: Are we really just the monsters we create? Are we the monsters that created us, and do we have to be? What is so toxic about loving something with everything you have and wanting it to stay good? Like you’d expect from the franchise, it doesn’t necessarily offer answers to those questions, but the fact that it poses them at all feels right.
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