Michael Corris turns doomscrolling into an art form at Liliana Bloch Gallery

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Michael Corris turns doomscrolling into an art form at Liliana Bloch Gallery
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His text-heavy exhibition offers a pleasantly disorienting vision of the news.

Dallas artist Michael Corris' 2020 piece "Palette-Talk #6: Art Works Philosophical" is included in "Palette-Talk: Change the Image or the World, Well Which?" The exhibition is at Liliana Bloch Gallery through May 21.Dallas artist Michael Corris’ work derives meaning in the smallest details. Rush through the mangled headlines and neon puzzles of his show at Liliana Bloch Gallery, and they may go overlooked.

A recent video breaking down the process for his current exhibition — “Palette Talk: Change the Image or the World, Well Which?” — features a tensely rising composition as the soundtrack, with four pianos played simultaneously. Michael Corris' "Invisible-Colors of December 21: At Risk" was made in 2021-22 using acrylic and graphite on clay board.

Corris was also a New York artist working in the shadows of more household experimentalists in their 1960s-’70s heyday. As part of the Art and Language collective in the 1970s, he was a member of a sharp-tongued group that was hellbent on poking holes in the common wisdom of 20th century art conventions.

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