Sydney Sweeney excels in just-OK nun horror
The imagery of Roman Catholicism is ripe with the melancholy and macabre. The bones of dead saints make the rounds for adoration, suffering is held up as a paragon of love, blessed flesh is consumed at mass.understands this on a basic level. Mining such rich material, director Michael Mohan and screenwriter Andrew Lobel deliver sometimes great, sometimes goofy scares during a tight 88-minute runtime.
Cecilia is an American nun who makes her way to a convent in Italy after her parish shutters due to low attendance. She’s looking for a new family in her Italian sisters, and although she might be shy she’s firm in her devotion. Her new home, what is basically a hospice convent for elderly nuns, is beautiful but unsettling. It’s full of romantic architecture and centuries-old traditions, but sinister secrets as well.
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