For quite a few years, a belief held sway that bereavement consisted of a series of five – or was it seven? – stages, starting with shock and moving through to acceptance, after which you wer…
feel anger, anguish and denial by turns and sometimes simultaneously, each of them cocooned in their own sac of misery, unable to say what they feel, even to themselves. Grief here is as messy and resistant to resolution as it is in real life.
Meanwhile, Merel is fending off the bank; the house may have to be sold. That’s another thing she can’t tell anyone, especially the children. She is furious with the bank, furious with the insurance company, furious with John. Her anger surges and recedes like the tide, forming a thread through a film that is less like a journey through grief than a constant circling within it.
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