Times are a changin over at Prop Thtr as artistic director Olivia Lilley steps down.|✍️kerryreid👇
, Lilley wanted to preserve the Prop spirit of experimentation while moving the company toward a greater sense of stability for artists. As she said to Hawbaker, “When I got here, everybody was friends and now they’re more like colleagues. . . . They were resistant to clear contracts or even nailing down job responsibilities. Over the past year, everybody has really come around to valuing organization and putting that extra effort in towards communication.
When I caught up with her earlier this week, Lilley mentioned a few new plans. One is that she’s focusing more on film than theater. A script she wrote was selected for the inaugural“It was a nine-month crash course in indie filmmaking,” says Lilley. “Basically, the whole experience was extremely positive for me artistically. Everything I liked about producing theater was like more vivid and specific and higher stakes in film.
But it’s not just the new opportunities in film that prompted Lilley’s decision. She has questions about the models used to run storefront theater overall—indeed, about the future of arts in America itself. In fact, she’s launching a new podcast in March called . . .“Every episode I will basically interview an artist-producer or artist-entrepreneur of some kind who’s trying to envision some new model, whether it’s in film, visual arts, theater, performance, what have you,” says Lilley.
Perceptions and Prop may have different missions, but both theaters focused on providing paid work for artists during the shutdown. “One of the things that I am really proud of Prop for having accomplished is that after lockdown, we really started to allocate our resources in a way where people were all getting compensated a lot better for less work,” says Lilley. The company also produced
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