“One Fine Morning” sounds an innocuous title for a grownup relationship drama — destined, perhaps, to be confused on streaming menus with the George Clooney-Michelle Pfeiffer romcom …
” sounds an innocuous title for a grownup relationship drama — destined, perhaps, to be confused on streaming menus with the George Clooney-Michelle Pfeiffer romcom “One Fine Day” — and in a sense, the mellow, melancholic cinema of French writer-director Mia Hansen-Løve is its own kind of comfort viewing. But as with many facets of her filmmaking, there’s a smarter, sadder, more literary undertow to the title’s sunny simplicity.
It’s a welcome change of pace, too, for the ubiquitous Léa Seydoux, recently seen on screen as almost everything but an ordinary woman, and projecting a warm sense of human wear and tear that we too rarely get to see from her.
With Sandra stretched even thinner than usual, anxiously fretting over all aspects of her father’s situation — even the fate of his extensive book collection is a touchy subject — it’s an awkward time for a complicated new relationship to present itself. Life being what it is, that’s exactly what happens.
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