'Oneida incorporate straight-ahead rock vibes into their expansive sound on Success.' | Steve Krakow
Brooklyn is so closely associated with the American cultural zeitgeist of the early 2000s that it’s easy to forget how newly “cool” the borough was at the time. During Oneida’s late-90s infancy, the freak rockers would be met with bemusement when they told music journalists they were from Brooklyn. “People would laugh—Brooklyn was not hip,” says Oneida drummer Kid Millions.
, as having a bit more “straight-ahead” rock sound than previous material, name-checking Jonathan Richman, the Velvet Underground, and the guitar pop associated with New Zealand’s Flying Nun label. All those influences can be heard on lead cut “Beat Me to the Punch,” but in true Oneida fashion, it turns a simple, shambly riff reminiscent of the Clean or the Chills into something sinister—the tune erupts into blasted-and-wasted howls of feedback, a la the Velvets’ “I Heard Her Call My Name.
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