Opinion | Greta Gerwig's 'Little Women' is the adaptation every Jo March always needed

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Opinion | Greta Gerwig's 'Little Women' is the adaptation every Jo March always needed
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Opinion | Jenni Miller: Greta Gerwig's 'Little Women' is the adaptation every Jo March always needed. - NBCNewsTHINK

Gerwig’s eye is flawless, and the tonied cast of actors features “Lady Bird” stars Saoirse Ronan and Timothée Chalamet alongside Laura Dern, Emma Watson, Eliza Scanlen, Bob Odenkirk and Meryl Streep.

But “Little Women” is a story about a writer, and Gerwig’s writing is what makes “Little Women” more than your typical Oscar season adaptation of a classic book. One of the radical changes Gerwig makes in her script is that it starts more or less at part two of “Little Women,” with Jo living in New York City trying to sell her pulp stories to a jaded male editor, then flashes back to the events of part one.

As the events of part one “Little Women” unfold in the movie, we also see the current Jo hard at work on writing her wild stories. After Beth’s death, she turns her attention to the much more wholesome story of the March sisters, but her gruff New York City editor isn’t interested — until his daughters discover Jo’s story and become enthralled with it. He relents … sort of.

Jo’s final meeting with the editor, which takes place at the very end of the movie, reveals a neat narrative trick. The book he’s holding is “Little Women,” the version that Alcott wrote, but the movie we’ve been watching is comprised of scenes both from Jo’s book and Jo’s “real” life. “The right ending is the one that sells,” he says. “If you decide to end your delightful book with your heroine a spinster, no one will buy it. It won’t be worth printing.” So the “happy ending” with Bhaer and a house of students? It’s from Jo’s book — not her life.

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