Kenneth Branagh wins the best original screenplay Oscar for writing “Belfast.' “This is an enormous tribute to my family,” Branagh said.
Kenneth Branagh has won the best original screenplay Oscar for writing “Belfast.”
He beat out fellow nominees Ciarán Hinds, Jesse Plemons, J.K. Simmons and Kodi Smit-McPhee. He thanked his dad, paralyzed in a car accident: “You are my hero.”The film about a magical family in the mountains of Colombia won the Academy Award for Walt Disney Animation Studios on Sunday night. DeBose won the Academy Award on Sunday night for her acting, singing and dancing as Anita in her breakthrough role in the Steven Spielberg reimagining of the classic musical.
DeBose beat out fellow nominees Jessie Buckley, Judi Dench, Kirsten Dunst and Aunjanue Ellis. She thanked Rita Moreno, who starred in both 1961 and 2021 film adaptations.Amy Schumer, Wanda Sykes and Regina Hall welcomed the Oscars back to the Dolby Theatre — a trio that Schumer joked was there “because it’s cheaper than hiring one man.”
Chastain, though, was a notable exception by taking her seat for the pre-show. And she got to give congratulatory and celebratory huge to the three winners — Linda Dowds, Stephanie Ingram and Justin Raleigh — as they took the stage. Josh Brolin and Jason Momoa joked about the early winners not getting Billy Crystal or Chris Rock as hosts. “They’re getting us.”“The Eyes of Tammy Faye” nominee Jessica Chastain arrived early to Sunday’s Oscars to ensure she didn’t miss the presentation of some less-celebrated award.
The other pre-show categories are: film editing, sound, original score, production design, live-action short, animated short and documentary short.“West Side Story” was representing. Supporting actress front runner Ariana DeBose walked the carpet quickly in her bright red Valentino dress. “I’m coming back!” She told reporters and blew kisses to the fans in the bleachers.
Hill plays Buddy in “Belfast,” a semi-autobiographical film by Kenneth Branagh. It tells the story of 1969 Belfast from Buddy’s perspective during The Troubles, when neighborhoods were turned into war zones and children had to navigate how they were supposed to tell whether someone was Catholic or Protestant.
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