SPOILER ALERT: This post contains details about the season one finale of Pachinko, titled “Chapter Eight.” The Pachinko season ender offers optimism and growth from heartbreaking losses…
broke down the bigger themes at play in the finale, the significance behind Lee Minho’s white suite and where a potential season 2 will go. Read the Q&A, which have been edited for length and clarity, below.
: It’s a cultural touchpoint for her that if she wasn’t Korean, she wouldn’t be able to do that. We all have that in our different cultures but that then becomes a way for her to provide for her family and her source of power. The ending of that definitely I attribute to her being Korean and having the means to provide for her family, but ultimately, it’s about that hopefulness that this family will endure and survive. Kimchi for Asian Americans, Korean Americans is a source of pride.
DEADLINE: Is it safe to say that in season two, we’re going to get more of that self-exploration for Solomon?: Yeah. We always said the way the time works in this show, the past just goes like rocket fire. Sunja’s story moves through 80 years in a blink of an eye. Solomon is our clay, we’re going to watch that molding, and then, now, let’s take that scalpel, and we’re going to form a human being so that by the time we finish, we see, hopefully, someone we actually love and understand.
Covid threw a huge wrench into whether or not we were going to be able to shoot them, and then, funny enough, we told Jackie, “You know, Jackie, not only are you like this brilliant historian, we’re now going to make you a camera person.” So she went in, and she operated the camera and got those interviews.: We really wanted to show that there are real Sunjas. This is not a historical piece.
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