The 77th Venice Film Festival drew to close on Saturday animated by the same spirit of low-key camaraderie that marked this entirely uncommon edition. In order to host the first major physical even…
drew to close on Saturday animated by the same spirit of low-key camaraderie that marked this entirely uncommon edition.
Citing “revelatory wild cards” like Mona Fastvold’s “The World to Come” and Julia von Heinz’s “And Tomorrow the Entire World,”“That the lineup was smaller this year did not feel like a loss,” says Lodge. “If anything, it gave this year’s edition more focus. They took the absence of the usual major U.S. titles, in particular, as a chance to give newer talents a platform and less-celebrated ones a breakthrough.”“We had great feedback from everyone. People were so happy to be able to meet again.
Despite the reduced number of participants Diot adds he is “impressed by the number of deals that were announced,” pointing out that the Venice Gap Financing market generated more than 600 one-on-one meetings, roughly 370 of which onsite. Films Boutique CEO Jean-Christophe Simon likens some of that market slowdown to whiplash from the pre-COVID world. “Given the current situation, asking prices can be very high,” he explains.
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