'Renée Zellweger’s naturalistic portrayal of Garland is as good as advertised: She innately grasps both the pathos and the charm of a woman who might be troubled offstage but can snap back into her star persona at the opening chords of 'Get Happy.'' Judy
Based on Peter Quilter’s play, the film doesn’t take viewers on a bumper-car spin through the star’s career highlights. We don’t see Garland in Dorothy pigtails, or pining for the boy next door inRather, it focuses on the artist shortly before her death, during a particularly vulnerable time in her life. In the grip of alcoholism and pill addiction, Garland has no choice but to leave her children with her ex-husband.
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