Dylan has never considered his songs as sacrosanct classics that should be preserved in amber.
“I’m a man of contradictions,” sang Bob Dylan at the opening of his three-night stand at the Cadillac Palace Theatre. “And a man of many moods.” That he is, and on Friday, all points led back to those proclamations during a nuanced, 110-minute performance that found the iconic artist in an engaged, borderline gregarious state of mind.
“When I Paint My Masterpiece” ventured so far from its original incarnation as to feature a few lyrical twists before conveying the zeal, color and commotion of an outdoor European market. A telltale sign every instance it happened, Dylan shot up from his piano bench and stood to pound the keys, the transition combining with his band’s rhythmic shuffling to conjure the jubilant exchanges of an ensemble woodshedding in a garage or basement.
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