Review: Cellist Maya Beiser and dancer Wendy Whelan in a 9/11 work like no other

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Review: Cellist Maya Beiser and dancer Wendy Whelan in a 9/11 work like no other
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Venturesome cellist Maya Beiser performs with dancer Wendy Whelan in a program choreographed by Lucinda Childs and composed by David Lang.

Apple introduced the iPhone in 2007, six years after 9/11. Though two of the most significant American events this century, they are seldom connected. Doing so Friday at Royce Hall proved then all the more telling when Kristy Edmunds introduced the evening’s presentation by the Center for the Art of Performance at UCLA, which she administers.

“The Day” is not a memorial. It is hardly a requiem, although it ends with Whelan gracefully rolling herself into a gauzy shroud, an affecting image that sticks for its sheer gorgeousness. “The Day” is not about yesterday, even if its text, crowd-sourced from the internet, serves to remind us of what plausibly might be a day in the life of dozens of everyman and everywoman victims of the terrorist attack on the World Trade Center.

Searching the internet with the question, “I remember the day I …” Lang cataloged dozens of responses and then presented them in alphabetical order. The parade of quotidian experiences and emotions runs from the day “I achieved the perfect engineering drawing” to “I wrote my letter of resignation.”After performing both works, Beiser chose to put them together and stage them.

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