Los Angeles artist Sayre Gomez brings flawless precision to images of utter disaster.
In a pitch-perfect new exhibition of paintings by Sayre Gomez, an exquisitely rendered cellphone tower does a correspondingly poor job of masquerading as a palm tree. The vivid friction between his paintings’ flawless precision and their subjects’ utter disaster is the show’s bracing leitmotif.
The sun, just peeking over a distant urban horizon at the lower right, is a blare of pure white light. Follow the adjacent silvery line of a guardrail along an elevated highway toward the left, and your eye arrives at the top of a chunky antenna tucked in among ludicrous, spiky artificial palm fronds.
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