The last full Thor movie was the overstuffed 2017 “Thor: Ragnarok,” with the God of Thunder dealing with dueling brother and sister issues, the imminent destruction of his planet, a boozy sidekick, a huge dog, pal Hulk having a panic attack and the death of his father.
It was Taika Waititi filmmaking at its most intense, with slo-mo sauntering, stupid antlered headdresses, slicing swords and laser cannons, capes and undead soldiers, a hair-cropped Thor, a typically unbalanced Jeff Goldblum character, a prophecy, alien spacecrafts and lots of Led Zeppelin.“Thor: Love and Thunder”
Thor, of course, has moved on — not with his romantic feelings, but with his favored weaponry. He wields the enchanted axe Stormbreaker now. He has no eyes for Mjolnir — or does he? “We good? I know it’s a little weird having my ex-weapon around,” he asks his axe in a deliciously loony scene, basically reflecting a love triangle between a Norse god and two metal armaments.
The whipsaw from death and suffering to idiocy is staggering, with Jennifer Kaytin Robinson credited alongside Waititi for a script that seems like it was pasted together after gerbils ripped up a bag of words. You go from a hospital room on Earth dealing with a terminal illness to Thor dressed as a hot dog to a shadow realm in low gravity where the film goes completely black and white.
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