“This musical is a show to which Chicago’s young theater artists long have related,” writes Tribune critic ChrisJonesTrib.
“Looks more like a concert-style staging,” I wrote in my notepad Sunday at the start of BoHo Theatre’s new production of the late Jonathan Larson’s “tick, tick ... BOOM!,” before crossing out the sentence. I’d realized that this pre-”Rent” musical actually was penned to look that way, before Lin-Manuel Miranda directed, expanded and elevated the piece into surely the best movie adaptation ever made about the agony and ecstasy of creative desire, insecurity and determination.
in the face of an opening night hailstorm raining down on the roof of the theater as if an expressionistic manifestation of this autobiographical show’s internal struggle.It’s a show to which Chicago’s young theater artists long have related: I remember a musically spectacularwith future “Jersey Boy” Michael Ingersoll, Jess Godwin and Quinton Guyton; and even a terrific 2003 tour downtown directed by Scott Schwartz.
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