Director Richard Linklater reminds us that animation isn't just for kids.
, is a reminiscence of growing up in the shadow of NASA as the world waited for the first manned flight to the Moon.
“It kind of bugs me when people say, ‘Oh, it’s nostalgia-induced,’ but nostalgia’s a double-edge sword, isn’t it?”made the nominee list, the idea that cartoons are a genre, not a creative process, still has weight. Linklater pointed directly to the outsize influence of Disney in the artform,"and they want that to be all people think, that, 'Oh this is the kids realm.
The one lesson he'd really learnt about footage from the exploration of space, he added,"is that it can be anything. It's such a ubiquitous backdrop that you can just let your imagination run free.": After watching the film, I had a conversation where someone told me how the film brought back memories of their own childhood - especially scenes like biking behind the DDT truck when it was misting.
The film, I think, purposefully does that. It takes a kids view but layered in with insight from an older viewpoint. You can look at it and go,"Is that not child abuse? Is that not child neglect?" You can go,"Maybe, but that was just the world we were living in at the time." The social morays of the time. Culture has the right to pick and choose what it wants to, and what it wants to discard, and you hope that people are picking and choosing the right things.
I also cut out a section of afterschool local Houston kids programming. Every town had that. Dallas had Mister Peppermint, we Cadet Don and Kitirik. You'd go on your birthday and ride a little ride, or be interviewed, and they'd show cartoons. As a kid you don't make the distinction between that and some national show.
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