“When I did ‘Desperado,’ I wanted people to just enjoy the movie, but for those who are Latin, it would mean so much more to them. The same with ‘Spy Kids,’ the same with ‘Machete,'” said director Robert Rodriguez.
Times journalists examine the complicated history of Latinos in Hollywood and the actions being taken to increase their representation, which remains stubbornly low.There is a narratively insignificant design detail in the 2019 sci-fi flick “Alita: Battle Angel,” directed by Robert Rodriguez, that I’ve always admired.
I shared this thought with Rodriguez — Zapan’s back, the little details — as we sat down for dinner one recent night. He smiled knowingly. Rodriguez, a native of San Antonio, Texas, manages to reach broad audiences by the appeal of his specificity. In his case, he’s built a pop-culture canon in several genres that is constantly referencing Latinidad, and even more precisely, expressions of contemporary Mexican-ness or, if you will, Tejano-ness.
In Season 2 of “The Mandalorian,” Rodriguez directed “The Tragedy,” the episode that brought back the beloved bounty hunter from the original “Star Wars” film series. According to a documentary about “The Mandalorian” on Disney+, Rodriguez managed to persuade series creator Jon Favreau to let him take a stab at Fett byRodriguez said he was sworn to silence on his work in the new series, which is scheduled to start streaming in December.
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