There were unique challenges in Sam Mendes’ vision for “1917.” The director wanted the movie to appear as if it were filmed in one continuous take. And that required months of meticulous planning. …
.” The director wanted the movie to appear as if it were filmed in one continuous take. And that required months of meticulous planning. Mendes says the long prep time and unprecedented demands created an “unusually unified crew.” Here, he pays tribute to some of them.
“There was very little looping, very little ADR. Stuart Wilson is brilliant, and the production sound is outstanding. The song ‘Wayfaring Stranger,’ for example, was sung live. I wanted the movie to breathe in and out, and the dynamic is important. It’s only when you go quiet that the loud moments become so frightening and shocking. There is that constant shift between making an audience lean in and then pushing them back again; that’s something we concentrated on.
And however hard it got — and it did get grueling at times — two things kept us from moaning. One was the fact that as a group, we were all in it together. And second, we were always aware that whatever we were doing, it could not possibly have been as difficult as actually living it. What’s three weeks in the mud when some people spent three years there?
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