Italian director Pietro Marcello ('Martin Eden') premiered his new feature, about a young girl growing up in post-WWI France, in the Directors’ Fortnight sidebar.
The Mouth of the Wolf, which established him as a bold new talent on the art-house scene.
As much as that film, where the action was transplanted from San Francisco to Naples, was based on an original story, it still looked and felt like a documentary — as if Marcello had somehow traveled back to pre-WWII Italy with his 16mm camera and captured events as they happened.felt like something new even if it was more about the past than the present, using techniques — included archive footage as a substitute for historical sets — that put the viewer in the moment of another epoch.
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