Slow Food: Kenny Schachter reflects on blockchain art’s past, present and future

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Slow Food: Kenny Schachter reflects on blockchain art’s past, present and future
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Artist and curator Kenny Schachter has found success in the art world through NFTs.

Schachter told Cointelegraph that while his commitment to the intersection of blockchain and art hasn’t faltered since then, “it’s hardened.” The contentious art-world rabble rouser hails from a working-class Long Island, New York family. He studied philosophy, then law — worked in fashion and on the stock market floor — all before stepping foot in his first art gallery in his late 20s or making his name as an art market reporter.

Even before NFTs, digital art had been pigeonholed in the manner of other mediums, like performance. Although NFTs gained fame only once artists started making big money, Schachter saw a greater chance to expand his audience beyond the narrow-minded art world. The artist had to learn fast about blockchain in his efforts to get involved. He initiated a virtual mentorship with an avid NFT collector and Google executive based in Singapore. “Every two or three weeks, I would sit there like a child with a pen and a paper,” Schacter recalled of their sessions. “I ended up making an artist out of him, putting him in an NFT show I curated at Nagle Draxler in Cologne in 2021.

“The concept changed from a battle to a reflection of the fact that life — in art and beyond — has been reduced to a popularity contest,” Schachter said, “measured by likes, followers and money.” While there’s no role-playing or hand-to-hand combat, it was fun to watch art dealer Larry Gagosian, whose gallery some regard as the art world’s evil empire, lob stacks of bills at opponents like famed artists Refik Anandol and Beeple, in a montage on view at Slow Food.

That’s precisely how “Missionary Position,” a tapestry featured in Slow Food depicting Mother Theresa in a robe adorned with Ethereum insignias, came to be. Schachter got in touch with an Albanian artisan through his network, who wove his digital design into an art object.Fine art recoils — even from practical applications

“Art is a zero-sum game, generally speaking, where one person or entity succeeds at the expense of another.”

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