Guest conductor Stéphane Denève leads Dallas Symphony Orchestra in multicolored music.
sounded pretty fabulous Thursday night, in multicolored music full of drama. French conductor Stéphane Denève, music director of the St. Louis Symphony, offered a program of imaginative cross references, and he brought plenty of flair to the proceedings.Symphonic DancesFirst, inspired by the eponymous fantasy tale by H.P. Lovecraft, came, by the 52-year-old French composer Guillaume Connesson.
Judging by the great ovation at the end, mine was a minority opinion of Trinidad-born Jeanine de Bique’s interpretation. There was, to be sure, an openness to her performance, which dramatized the music in gesture as well as tone. But the timbre was often too metallic for my taste, and bubbles of accented syllables alternated with unaccented syllables that simply disappeared. I craved more line — and sometimes more accurate vowels., Rachmaninoff’s last new orchestral work, was composed in 1940, seven years before the Barber. Conceived with the title, its three movements labeled Noon, Twilight and Midnight, it was premiered with the more neutral title and just tempo directions for the movements.
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