Sophie Turner and Phoebe Dynevor Sit Front Row For Louis Vuitton’s Love Letter To Spain

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Sophie Turner and Phoebe Dynevor Sit Front Row For Louis Vuitton’s Love Letter To Spain
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The Louis Vuitton cruise show gave us a glimpse of the A-list's next red carpet looks. Read more on Grazia.

‘It’s interesting to me to work with talent, especially women, and to be next to them when they need the most strength.’ Louis Vuitton’s Creative Director Nicolasis talking about designing red carpet moments for his well-established girl gang of Hollywood’s elite. ‘I love to dress women for everyday life, but to be next to a wonderful talent when they’re doing an art form is something that I learnt with Louis Vuitton and it’s been very interesting.’has the red carpet on his mind.

Dynevor would have found plenty to like in this collection, not least the slew of major mini dresses that looked ripe for a red carpet – or asput it ‘clothes for women with something to celebrate’, given this collection hits stores in November. An ultramarine one-shoulder bubble shape had the audience raising their phones to film - the modern-day tell it’s a winning look – as did a fully fringed black dress, as well as a series of metallic gowns that looked like they’d been made to replicate the broken tile mosaics of the Gaudi sculptures nearby., he had chosen a show location based on its architectural wonder.

The setting had in part influenced the collection. An opening section of polished separates and slick tailoring came in neutral palette of greys, cream and black, was designed to mirror the simplicity of the colonnade-catwalk.. ‘When I think about Spain, I think about grandness, elegance, rigour and strictness but at the same time there is extravagance, craziness and youth – and it’s that contrast between those elements,’ he said of the collection.

Lace cut dresses, ruffled polka dot gowns and fringed shawls picked up on some of those traditionally Spanish techniques. And’s classic draped, voluminous silk trousers and skirts came vibrant colours, such that the models could have stepped straight out of an 18th century Goya painting.said, reasoning that his audience want clothes they can cherish and keep forever – or sell on.

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