Wylie Stateman’s work as a sound editor spans over three decades. He has worked with the likes of Oliver Stone, John Hughes, Cameron Crowe and Quentin Tarantino. Stateman quotes Robert Bresson to b…
Stateman quotes Robert Bresson to break down where sound editors fit into the filmmaking process. “Bresson says, ‘a film is born three times. First, in the script. Second, during production and third, in the editing.’ My interest is understanding the first stage, dealing with the second stage and becoming an integral part of the rhythm and pattern of the sound.
When Cliff Booth arrives at the ranch, Tarantino knew it wasn’t a moment for a song to be playing. “You have this beautiful wide shot looking down the ranch, and this is where you’d normally have score or music,” says Stateman. “Quentin understood that there wasn’t a song that could speak to the evil of the place.”
Part of Tarantino’s storytelling abilities is being able to put the audience in the shoes of the characters. “It’s a hyper-reality use of sound as a storytelling tool,” Stateman explains.
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