A nearly 150-year-old stained-glass church window showing a dark-skinned Jesus Christ interacting with women has been rediscovered in a Rhode Island church.
The window has now been scrutinized by scholars, historians and experts trying to determine the motivations of the artist, the church and the woman who commissioned the window in memory of her two aunts, both of whom married into families that had been involved in the slave trade.Raguin and other experts confirmed that the skin tones — in black and brown paint on milky white glass that was fired in an oven to set the image — were original and deliberate.
Warren’s economy had been based on the building and outfitting of ships, some used in the slave trade, according to the town history. And although there are records of enslaved people in town before the Civil War, the racial makeup of St. Mark’s was likely mostly if not all white. Another clue is the timing, Arnold said. The window was commissioned at a critical juncture of U.S. history when supporters of Republican Rutherford B. Hayes and their Southern Democrat opponents agreed to settle the 1876 presidential election with what is known as the Compromise of 1877, which essentially ended Reconstruction-era efforts to grant and protect the legal rights of formerly enslaved Black people.
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Stained glass window shows Jesus Christ with dark skin, stirring questions about race in New EnglandA nearly 150-year-old stained-glass church window showing a dark-skinned Jesus Christ interacting with women has been rediscovered in a Rhode Island church. The artwork is stirring questions about race, the slave trade and the place of women in 19th century New England society. Experts say the window installed in 1878 in the long-closed St. Mark’s Episcopal Church in Warren is one of the earliest public examples of Christ portrayed as a person of color. It also shows Christ interacting with women as equals. An architect turning the church into a private home hopes the window can be put on display in a museum.
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