Stray Gods: The Roleplaying Musical review - almost all the right notes

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Stray Gods: The Roleplaying Musical review - almost all the right notes
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Check out our Stray Gods: The Roleplaying Musical review - does it hit all the right notes? StrayGods review gaming

Stray Gods may be Summerfall Studios’ first game but it’s certainly no stranger to experience in the video game industry. The adventure roleplaying musical game is headed by a veteran team of developers and bolstered by some of gaming’s most well-known voice actors and creatives. With this in mind, Stray Gods set expectations high, with a passionate community of indie fans excited to see what such a unique concept could bring to the table.

However, outside of that music, the game’s audio can feel a little bland at times. Voice lines dominate the airwaves with no real background sound to be heard. Perhaps this is meant to capture the feeling of actually watching a musical, where on-stage performers are usually only backed up by the occasional musical tone of an orchestra. However, in Stray Gods’ case, I found this generally took something away from the overall audio feel of the game.

Equally, I believe Gavankar’s performance as Freddie is likely the best role of her career. It can be very difficult for a game to nail a good side-kick character but every scene with Freddie provided everything from adorable fun to heartwrenching emotion. It was also slightly surprising to see Rahul Kohli in a different style of role after his grounded gritty performance in Mike Flanagan’s Midnight Mass, but he again proves his range playing the clumsy, romantic Minotaur, Asterion.

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