We spoke with sudanarchives about exploring the possibilities of the violin, paying tribute to Cincinnati, and the creation of 'Natural Brown Prom Queen'
Natural Brown Prom Queen
, Parks discards the typically disheveled prom-queen aesthetic to present imaginative idealism. Tears of makeup aren’t streaming down her face. Instead, Parks joyously assumes the prom-queen title as the person she is today. “Basically, when I go on tour, I’m imagining it as the prom I never went to,” she tellsThe new album is also a significant expansion of her idiosyncratic sound.
This gave Parks the freedom of collaboration with the autonomy of working solo. She picked out what she liked, omitted what she didn’t, and mixed everything together. Whereas many artists enjoy working face-to-face, there was a different kind of creative liberty to be gained through this method. “Because I was overseeing everything and I had everything in my own hands, I was able to remember exactly what I wanted to fine-tune and do it right then,” she says. “If you like somebody’s contributions but don’t like the drums, you can just take the parts you like and not use the drums. You get to do more mixed-media stuff rather than working from beginning to end in a studio.”
Still, it’s not like Parks isn’t creating her own loops and beats, too. She has always explored the sundry possibilities of the violin, experimenting with the instrument to craft sounds one wouldn’t typically associate with it. Although it’s difficult to tell because she didn’t use bowing techniques, she used the violin instead to make basslines and drum loops on songs like “Homesick ,” her favorite song on the album as of now, and “Copycat .”is an ode to her original hometown, Cincinnati.
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