While ‘Everything Everywhere All At Once’ took seven of the eleven Oscars it was nominated for – making history in the process, Ruth E Carter became the first Black woman in history to win two Oscars.
, had won multiple prizes in the run-up to the Academy Awards, so its success was not unexpected. But the night did bring some surprises, including a thrilling win for Sarah Polley in the Best Adapted Screenplay category. Her film, one of the most original and thoughtful of the Best Picture nominees, has struggled to gain traction in the awards race.
“I’d like to thank the Academy for not being mortally offended by the words ‘women’ and ‘talking’ so close together,” said Polley, wryly, suggesting that the film, which centres on a group of women who have been abused, offers a vision of how people “who don’t agree on every single issue manage to sit together in a room and carve out a way forward together free of violence. They do so not just by talking but also by listening.
Her hopeful words felt like a breath of fresh air. So did composer MM Keeravani’s acceptance speech, sung to a tune by The Carpenters, when “Naatu Naatu” from the filmbecame the first song from an Indian production to win an Oscar. There was more impromptu when Tom Berkeley and Ross White who took the prize for Best Live Action Short for, asked everyone to sing “Happy Birthday” to its star James Martin, who has Down syndrome.
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