Want to learn to move like the cats from Cats? Here’s a crash course from the master.
. It’s really rich territory for me and I love it. It feeds me and develops my knowledge of movement by studying animals.
You said that you hung out with real cats in pre-production. During cat school, was there any hands-on research involving real cats? Les Twins actually brought a little kitten—a sphinx cat—to the start of the process, which they called. Sphinx cats have no hair. They can look a little bit like a plucked chicken, but they are brilliant for observing cat moment, because you can see every sinew, every roll of the shoulders. Another part of cat movement was to get those big shoulder blades rolling. Paname was a daily reference point for everyone.
The sensory aspects, getting them into a much more animal state, getting them to close their eyes, tapping into this idea that their ears are on the top of their head, elongate the neck. You hear something in the corner and react to it. Smelling like a cat: I’d show them videos of how a cat smells, which is really delicate as opposed to a dog, which like, scuffles all over the place. And then we’d go into cat-walking, not the model type, but trying to find their way of walking.
But we did have playthings: balloons and bowls and string and bits of paper. They all really helped, the oversized props in the room, right from the beginning, so they could actually get inside a bin, or, you know, hold a gigantic newspaper, or put themselves inside a hat, which all helped get into their cat mindset. Different levels in the room were set up so they could climb and get this all-powerful feeling that a cat likes, to get on the higher ground.
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