'The video of Floyd’s death is horrific but not surprising; terrible but not unusual, depicting a kind of incident that is periodically reënacted in the United States,' writes jelani9 in NewYorker.
pandemic
to protest at the spot where Floyd died. Outside a nearby precinct house, police cars were pelted with rocks, and officers responded by firing tear gas. But, within twenty-four hours of the video coming to light, the Minneapolis Police Department fired the officer who had knelt on Floyd and three others who had been at the scene. Mayor Jacob Frey tweeted that the firings were “the right call,” but here, too, context matters.
In November, 2015, police responding to calls of a dispute between a man and a woman in north Minneapolis fatally shot a twenty-four-year-old African-American man named Jamar Clark. Police and paramedics on the scene claimed that Clark had resisted arrest and had attempted to grab an officer’s gun; bystanders claimed that he was handcuffed and on the ground when the shot was fired.
The larger question, however, is whether the officers involved will face any legal consequences. The Twin Cities area has been an outsized part of the dialogue about the police use of force. The year after Clark’s death, Philando Castile was fatally shot in Falcon Heights, Minnesota, by a police officer who was alarmed because Castile had a gun in his car, even though he had identified himself as a licensed gun owner.
There is more to be said about the burgeoning genre of videos capturing the deaths of black Americans, and the complex combination of revulsion and compulsion that accompanies their viewing. They are the macabre documentary of current events, but the question remains about whether they do more to humanize or to objectify the unwilling figures at the center of their narratives. Death is too intimate a phenomenon to not be distorted by a mass audience.
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