.inkookang on why feel-good representation alone isn’t the solution to Hollywood’s diversity problem.
across the multiverse. Quan, who became a familiar face to American audiences after starring as Short Round in “Indiana Jones and the Temple of Doom” and Data in “The Goonies,” gave up his acting career for a period, when he found scant opportunities as an Asian American performer, eventually landing behind the camera.
Actors are the most visible beneficiaries of the ongoing calls for increased diversity in Hollywood, which come from the viewers, who wish to see more faces and realities reflective of their own, as well as from figures within the industry, many of whom view greater inclusion as a source of fresh ideas, cultural relevance, even moral legitimacy.
Quan, who has already won a Golden Globe and a Screen Actors Guild Award for his turn in “Everything Everywhere,” heads into Oscar night as the virtual shoo-in for his category. Given his decades of one-sided adoration for the film business, it’s difficult to begrudge him a moment of joy; at last, it seems, Hollywood might love him back.
That our preferred mode of measuring Hollywood diversity is affective—based on how it makes us feel—is undeniable. There are outliers. A handful of scholars and nonprofit organizations have meticulously tallied the screen presence of women and various minority groups, publishing the results in annual report cards. These tabulators include Stacy L.
There’s nothing wrong with entertainment feeling good. But who needs the notches of advancement when a movie just? In recent years, there’s been a boom in Asian American films that have depicted and unearthed facets of myself that I hadn’t imagined would ever be explored onscreen.
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