“Of course, they’ve picked this all up off the television.” Antiques-shop owner Celia (Kristin Scott Thomas) is as dismissive as she is amusingly sniffy about her customers who, versed in the lingo…
In response to lockdown, Bennett’s long-time directing partner Nicholas Hytner teamed up with Kevin Loader and the BBC to produce new actors in the best of Bennett’s two series of “Talking Heads” from 1988 and 1998, as well as presenting two additional monologues. Following their June broadcast, eight of them are now playing in repertoire at Hytner’s Bridge Theatre in tandem with four other monologues, including Ralph Fiennes in David Hare’s COVID19 monologue “Beat the Devil.
Tina and Stuart sometimes spend hours out together, coming back dirty enough for her husband to need to put his clothes in the washing machine before coming up to bed and demanding sex. Our understanding of and investment in her plight is all the stronger for Bennett’s handling of exposition: It’s suggestive rather than spoken. What’s not said is far louder and more gripping than what is. As the story keeps cutting forward, tiny details from earlier in the story form themselves wordlessly into a metaphorical noose slipping around Sandall’s neck. By the end she’s taut with terror.
Bennett plays an entertaining game with both his character and our sympathies as Celia sees an escape from her increasing financial woes in the form of a possible savior: an elderly neighbor who, she whispers, is not only near death but has no known relatives and is surrounded by wildly saleable valuables. In short, a goldmine which Celia is not going to let out of her sight.
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