The first shows of her tour make it clear: We are living in the Beyoncéverse. Of course, the Hive already knew that.
. “There’s been some mixed reception,” Charles Ray Hamilton, a TV writer living in Los Angeles, told me. “Going through customs, they ask why you’re here. I said I’m here for the Beyoncé concert. The customs agent rolled her eyes and said, ‘Ugh, why did I even ask?’ She turned to the other agent and started speaking in Swedish.” Not to say that every Stockholmer was anti-Renaissance: In stores and at restaurants, every local seemed to know someone who wouldn’t miss it.
At the stadium close to sunset, half the crowd came to dance in on-theme sequins, glitter, and chrome, and the other half came to dance in whatever was comfortable. A pregnant woman from Denver, in a shimmery silver disc shift dress, asked me to take a video of her, her sister, and her best friend fanning their merch fans emblazoned with the number ten — a reference to the lyrics for “Heated” . Three other fans were confused about what a merch T-shirt proclaiming “NO SKIPS” meant.
When the show started, it didn’t start with a bang — it started with a ballad. Clouds, peachy and lavender in their golden-hour glow, glided across a screen that spanned the stage. There was Beyoncé, in a custom Alexander McQueen catsuit, a mic stand, and a deep cut. “I love you I love you I love you,” she began, singing “Dangerously in Love 2.” It’s a track that always sounded slight on its album. Only when it was released from its mix in live shows could it become a big gutsy ballad.
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