In the aftermath of the tragic event on the set of 'Rust,' V.F.'s Anthony Breznican posits five key errors that led to the death of cinematographer Halyna Hutchins.
bullet end up in the gun? That’s the source of significant rumor and innuendo. It’s also the subject of a new lawsuit between the armorer and an Albuquerque props supplier.
Sarah Zachry—also 24 and a relative newcomer with just two credits—ended up taking the lead prop master job Zoromski and others turned down. After the shooting, Zachry rushed back to the weapons cart and examined the box of dummy bullets that she believed assistant prop master Gutierrez Reed used to fill the cylinder of the gun. As Zachry checked the dummies in the box, “she found some of the cartridges would rattle,” according to the sheriff’s search warrant request.
Kenney declined to be interviewed for this story. Calls placed to PDQ headquarters in Lake Havasu, Arizona, were not answered. A text sent to a cell phone listed under Kenney’s name received the following reply: “This is fake news. I don’t see any credibility in your organization.”his company individually rattle-tests each dummy to ensure no live rounds are sent to a set. “It’s not a possibility that they came from PDQ or from myself personally,” he said.’s assistant director.
At that point, Bowles says the gun went back to Gutierrez Reed, who locked it in the prop truck’s safe. After lunch, around 1 p.m., she went to retrieve it—and fix that empty sixth slot. Dummies are necessary because the ends of the revolver’s cylinder are exposed, and viewers would be able to tell if the chambers were empty. “So she cleans the cylinder and she pulls another round, a different round, out of that box and puts that round into the chamber,” Bowles says.
He shared screenshots in which she was actually praised by director Souza for her diligence. “Excellent work today,” Souza texted her on October 8. “Always quick with the weapons and quick with the ammo and very safe.”Days before Hutchins’s death, Gutierrez Reed was reprimanded by a manager for spending too much time on weaponry. “We hired you as both Armor and Key Assistant Props,” wrote line producer Gabrielle Pickle on October 14.
Armorers typically perform such public inspections, but assistant directors do too, or they supervise. Often they remove and inspect each fake bullet, rattling the dummies and ensuring no possible projectiles are in front of the blanks. But nothing that painstaking happened on the set ofAfter cleaning the cylinder to make the sixth round fit, Gutierrez Reed hurried the Colt .
Halls’s attorney contends that the investigator’s document is riddled with inaccuracies. “I think some of the witnesses got confused when they said that they thought that Halls handed it to Baldwin, because at one point Baldwin needs to readjust his holster, and he hands the firearm to Mr. Halls, who’s standing three feet next to him on set.” Then Baldwin took the gun back, she says.
Baldwin, who declined to be interviewed for this story, also dismissed the suggestion that he might bear some responsibility for the way the set operated, though he, his production company, and his manager were among’s producers, and he was credited with cocreating the story with Souza. “I’m not a producer that hires the crew,” he said.That caught the attention of D.A. Carmack-Altwies. “I didn’t know too much about guns, certainly not about 1850s-era revolvers.
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