With its proliferating demonstrations of religious devotion, genuflecting prayer, and life after death, “Thor: Love and Thunder” may be the Marvel Cinematic Universe’s most conspicuously faith-based film.
,” has redeployed his manifest talent for mitigating horror. Jane’s ailment is a mere pretext for the busted-up couple’s sentimental reunion, for a greeting-card life lesson to “never stop fighting”—as if Marvel’s superheroes might otherwise retire to their country houses and write their memoirs—and also, yes, for yet another homily about the promise of the afterlife.
The hagiographical skit’s whimsical simplicity is a hint at the satirical antics that a less inhibited comedy of the gods could offer. It plays like a wink at the bare-bones histrionics on which a C.G.I. extravaganza depends—and it also suggests, likely unconsciously, the narrowing effect of a reverently dogmatic drama on its cast. “Thor: Love and Thunder” is filled with stars, and spotlights several of the most accomplished dramatic actors currently working.
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