Los Angeles Times awards columnist Glenn Whipp rounds up the Emmy news in his newsletter.
Get our revamped Envelope newsletter, sent twice a week, for exclusive awards season coverage, behind-the-scenes insights and commentary.Oh ... and the Emmys are about six weeks away. Have you made your peace with those nominations?
I’m Glenn Whipp, awards columnist for the Los Angeles Times and host of The Envelope’s Friday newsletter. Welcome to this week’s edition. Thanks for stopping by.I’m still a bit in denial over Emmy voters ignoring Kaitlyn Dever and Merritt Wever for their powerful, empathetic work on the Netflix limited series “Unbelievable,” easily one of the year’s best shows.
“The brutally competitive nature of the category is the result of overlapping industry trends,” Meredith writes, “starting withover the last half-decade. In 2011 there weren’t enough eligible miniseries for a stand-alone category at the Emmys. Now the limited series is a magnet for feature-film talent and a venue for the kind of complex stories — often with literary or historical roots — that have become increasingly rare in the tentpole-obsessed world of the movies.
“It’s a place for us to make movies,” said Margo Martindale, who was nominated for her supporting role as feminist Bella Abzug in “Mrs. America.” “It’s very hard to get a movie done these days.”
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