Plus, costume designer Jane Petrie discusses Lily-Rose Depp's sculptural headpiece and Robert Pattinson's sleek armor that gave him the 'giggles.'
Costume designer Jane Petrie also discusses Lily-Rose Depp's sculptural headpiece and Robert Pattinson's sleek armor that gave him the "giggles."Recently, portrayals of royal families — real or fantastical — include spectacular double-digit carat jewels and crowns, lavish gowns and all sorts of opulent finery. But Netflix's 15th century historical epic, "The King," starring our king Timothée Chalamet, remains steeped in gritty realism.
When we first see a hungover Hal — still with his long, floppy curls — he's not wearing much . But for an official court visit to his war-mongering father Henry IV and younger brother Thomas , he's layered up in a navy doublet and shirt. For the criss-cross, chevron-like motif, Petrie took inspiration from the wood frame architecture style of the Tudor period by production designer Fiona Crombie.
Petrie designed Hal's costumes to progress through three periods: pre-King, King transition period and full-on King. "I held onto those colors when we moved into the next period, but we cleaned it up and simplified it," she says. Petrie used the same shapes and silhouettes, like the doublets and mandarin collared linen shirts, but transitioned into solids and more regal details, like shearling lining during the middle arc. "You need to feel it's the same person.
Limothée shippers may need a moment when King Henry V meets his future wife Catherine of Valois , especially when the two flex their fluent and steamy French conversational skills Reflecting the fashion of the era, Catherine wears her hair half-pulled back into a magnificent white headdress , which frames the actress's expressive eyes to emphasize her strong words to Henry — and fulfilled one of Petrie's longtime ambitions.
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