Gianfranco Rosi Talks Documenting the 'Victims of History' in 'Notturno' at the Toronto Film Festival
, a natural need to cross that barrier that was separating the island [Lampedusa] from that reality where the people were coming from. And after I finished the film, after the Oscars, I remember this moment of emptiness. I spent a year promoting the film around the world and when you do that you feel completely empty. So I had to do another. One day, I closed myself in my apartment in New York and wrote this film in two weeks.
Some of the moments you spend with people are so personal and emotional, and in many cases distressing. How did you manage to persuade them to allow you to film, or to even be present at all? It was very painful to shoot. It took two months. I went back many times. I never really knew how to shoot that story and asked myself the same question many times: should I film, or not film? But when I discovered that they were doing this therapy with a teacher once a week, I decided this would be a good way to tell their story, through their therapy and their drawings.
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