As one of the first projects shot amid lockdown, the actress's 'The Lost Daughter' was forced to relocate to a small town in Greece, hire locals as extras (including the mayor) and quickly adapt to COVID protocols.
Crazy Heart
While Gyllenhaal says that adapting went smoothly, she describes a kind of crisis-inducing self-examination that can come with reading. “You think, ‘Oh my God, this woman is so fucked up.’ And then one second later, I was like, ‘Oh my God, I totally relate to her.’ And then you’re like, ‘Oh my God,so fucked up.’ ” But she pressed on, intuitively recognizing some universal truths — albeit potentially uncomfortable ones — that demanded exploration.
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