The Marvel Cinematic Universe may have rules, but the first-time television writer behind the Emmy favorite (23 nominations!) discovered that good work doesn't have to come at the expense of dinner with your family.
. There was the fact that I had never run a room before, or even been staffed on a TV show. There was the tonal high-wire act of the premise itself: a superhero sitcom that is also a meditation on grief. There was the pressure of creating one of the first original TV shows for Marvel Studios and the soon-to-be-launched Disney+ platform. And perhaps the most daunting element of all: My kids were ages 2 and 4 at the time I was hired. I had no idea how I was going to do this job.
Every showrunner I discreetly approached for a cheat sheet told me to run it how I wanted to run it. To my surprise and good fortune, my partners at Marvel felt the same way. Visions of a utopian working environment filled my head: a culture of respect and inclusion, big ideas and even bigger feelings, clarity of purpose, lots of laughing, and … a 10 a.m. to 4 p.m. workday.
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