We need to talk Succession.
We didn’t really think that Logan Roy, the bellicose media tycoon at the centre of, would get a tearful deathbed goodbye, did we? Jesse Armstrong’s series, while certainly soapy at times, is just not that kind of program. Blunt and mean as Logan could be, it’s fitting that his death — which finally came in season four, episode three — was just that, too: off-camera and ignoble and sudden, as so much death is in the real world.
That’s certainly a more realistic end for someone his age whose health has been a question since the premiere of the series. Death is often quick and inconvenient, a sentence cut off without punctuation. There is something artful in Armstrong’s choice, then, a kind of Euro indie-film sensibility toward the comic harshness of the world. Logan was there one minute and then he was gone, disrupting his eldest and most-mocked son’s wedding as one last “fuck off” to his frivolous family.
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