After appearing in Leave No Trace to much critical acclaim last year, Thomasin McKenzie came to Jojo Rabbit excited by the notion of learning from one of the industry’s most unconventional voices. …
], which is actually how I prefer to do it, because then you’ve got a bit more control over the performance you’re giving them, or showing them. I’d done auditions with casting directors in the flesh before, but I’d done that in Wellington, which is very different. I know those casting directors; everyone knows everyone in Wellington.
I was working on the idea of wanting to highlight her confidence and her strength, and her intelligence and stuff—making those kinds of characteristics more on the surface, I guess—because there’s so much going on inside her head, obviously, so much fear. But we wanted her to really have a lot of power, as much power as she could have in that situation.
DEADLINE: In your preparation for the film, you visited Theresienstadt, a concentration camp and ghetto in the Czech Republic, set up by the SS during World War II. How did you feel, walking on those grounds?: I think that it’s a really weird feeling, going to a site where so many people were being murdered and tortured for no real reason, or no reason at all.
coming out, which is a really amazing Netflix film about a family who is looking for their daughter who’s gone missing. It’s directed by Liz Garbus, who I love, so I’m excited for that one. I think it’s coming out early next year, sometime. I didwith Edgar Wright and Working Title; I can’t really say anything about that, to be honest, but I’m looking forward for everyone to see it and hopefully enjoy it. It’s a really crazy, crazy kind of world, so I can’t wait for that to be shared.
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