Why 2021 Was the Year of the Drummer

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Why 2021 Was the Year of the Drummer
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For most, the pandemic with its lockdowns and quarantines has meant days filled with repetition. Working from home, sticking to a routine, indulging in smaller circles of pre-vetted activities &#82…

oozed good vibes, and especially once Grohl had to admit defeat. Later, making the most out of a narrow window of opportunity — that brief COVID respite we so enjoyed in the fall — Bushell was able to live out her rock star dreams by joining the Foo Fighters onstage at the Forum in Los Angeles. It was a teary affair for all, as a 15-minute aftermovie documents charmingly . After being separated from friends and family for so long, seeing Nandi and Grohl together in person felt like a miracle.

You could say the same of Questlove whose genre-agnostic curiosity and on-point curatorial taste has informed countless disciples — perhaps, even Paak. The Philadelphia native’s reach was already expansive thanks to a robust social media following and two well-received books , but it was his directorial turn with the documentary “Summer of Soul” that cemented his place as an iconoclast.

Elsewhere on the musical spectrum, 46-year-old Travis Barker proved himself a vital collaborator for acts who are decades younger. Willow, Machine Gun Kelly, Yungblud, Lil Nas X and Iann Dior are just some of the artists to recently feature the Blink-182 drummer on a track. He also teamed up with Avril Lavigne for her long-awaited return to the pop-punk throne. Signed to Barker’s DTA Records, Lavigne released “Bite Me” in November, which Barker produced.

Thanks to COVID, I saw very few live shows in 2021, but the last one I took in, I’m proud to say, was a Dec. 12 Pandora-sponsored performance by the Go-Go’s at Sunset Strip haunt the Whisky A Go Go, where the group got its start 40 years earlier. That night, Clem Burke, who famously played for Blondie, filled in for drummer Gina Schock, softening the disappointment of the O.G.

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