The veteran illustrator is helping launch publisher NeoText's first book.
, the first title from new pulp publisher NeoText, hits digital shelves today, giving readers the chance to experience Maurice Broaddus and Otis Whitaker’s thriller about an average man in Harlem who discovers that he is heir to a line of powerful magicians. It also unveils the latest work from artist Jim Mahfood.— amongst many others — with his own creative work that includes comics , fine art and animation.
— with everything from animation to body painting under your belt. How did you get connected with NeoText? I was introduced to [NeoText founder] John Schoenfelder through my buddy Ben Marra. Ben's an amazing artist and I trust his judgement, so when he mentioned he was doing work for NeoText and having a blast with it, I knew I wouldn't be wasting my time talking to John. to you? Was there something about this particular project that appealed?
The appeal is, I'm a huge, life-long fan of hip hop culture and anything having to do with magic and the occult. So, boom, right there, this was basically the perfect project for me to work on. As soon as I started reading the script and I got to the part where Getty is walking down the street with his badass bodyguards and killer dogs, I knew this was something I wanted to work on. I knew what I wanted these images to look like.
Talking about your unique twist… You’ve found a lot of success combining work that’s all yours, and work-for-hire, for want of a better way to put it — but maintaining a consistent look and feel. When you’re working on a project likeI've reached a really fortunate type of position in my career up to this point where clients basically hire me to be me. They want my style and individual approach to their projects.
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