Why Christopher Nolan Should Remake One Of His Own Movies

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Why Christopher Nolan Should Remake One Of His Own Movies
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Though Christopher Nolan is known for stunning event movies, his directorial debut is anything but, but a remake has the potential to be his best yet.

Director Christopher Nolan has become best known for his spectacular-looking blockbuster movies, and that's exactly why he should remake his oldest, lowest-budgeted movie. The celebrated filmmaker has revolutionized Hollywood several times over, whether it's forcing the industry to take comic book movies seriously with the Dark Knight trilogy, or leading the way in making IMAX cameras common use.

SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT With Oppenheimer, Nolan literally recreated a nuclear bomb blast without CGI, and can do almost anything he wants, as Universal gave him complete creative freedom and a $100 million budget, which isn't granted to just any filmmaker. However, that's a far cry from how Nolan got started in the industry.

Following Could Be A Modern-Day Christopher Nolan Thriller Quentin Tarantino wants to remake Reservoir Dogs because he thinks it could be way better with 30 years of experience under his belt following the film's 1992 release. This is exactly why Nolan should remake his directorial debut, as Following could be a terrific modern-day thriller.

While Nolan's movies are getting bigger and more spectacular with each consecutive release, his earlier mid-budget thriller movies are still missed. Nobody makes movies like Memento or Insomnia anymore, not even Nolan. The director seemingly only has an interest in warped sci-fi movies and war epics, but a Following remake would see the director return to the genre that made him so successful in the first place.

Following's Production Problems Ruined The Original Movie Following is interesting, clever, and explores interesting themes, just like Nolan's other films. However, though the story has the potential to be an all-time classic, that $6,000 micro-budget holds it back from being one of Nolan's best. The black-and-white film stock is too grainy, the lighting is patchy, and Christopher Nolan clearly didn't shoot enough takes.

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