'Lagerfeld became enamoured with a specific red, which, once discovered, was incorporated into sketches for the remainder of his career.'
Though the use of shadow may have begun with any number of pots and palettes, it soon filtered down to one: Shu Uemura. Lagerfeld became enamoured with a specific red, which, once discovered, was incorporated into sketches for the remainder of his career. In fact, when the brand was forced to discontinue the hue due to lead content, Mr. Uemura re-created the colour for Lagerfeld.
To Lebar, the inclusion of make-up lent more to Lagerfeld’s creative enjoyment and the elegance of the sketches than to the resulting designs. “He was using [the eyeshadow] to make a contour or to create a beautiful shadow,” says Lebar. “It’s not the same look and feel as a pastel, for example — it’s less brusque, less bold… it’s very light.”“I think, really, sometimes it was out of patience, the way he was drawing,” she says of Lagerfeld’s uncompromising attention to detail.
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